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Appendix 7 Interview Record (Participant F)






                             Appendix 7 Interview Record

                                           (Participant F)





                 Time: 13:00-13:25, 1 April 2017
                 Venue: Kungfu Restaurant, 2 Floor, No. 1 Dongpu Road, Guangzhou
                 Interviewee: Participant F, a staff member in a government-affiliated institution
                 Interviewer: Huang Weijie


                 Huang: Hi! So sorry to take your time for lunch break. This interview is mainly for my
                    Ph.D. thesis. My topic is user-generated content (UGC) and copyright reform. UGC
                    refers to the content that is created by amateurs rather than professionals. Examples
                    of UGC include fanfictions, parodies, remixes, samplings, etc. UGC is fundamentally
                    different from traditional copyrighted works in many aspects, such as the non-economic
                    incentives and collaborative authorship. This brings significant challenges to copyright
                    law. I have watched the micro film you and your colleagues made for your unit. It is very
                    interesting and related to my topic. Can you tell me more about this?
                 Participant F: Haha, no problem.
                 Huang: Where did the music in your micro film come from? You created it? Or you just used
                    pre-existing music?
                 Participant F: They are all pre-existing pieces of music
                 Huang: Have you asked for permission to use? Besides, it seemed that your film did not
                    credit the composers.
                 Participant F: We haven’t because we used the songs for non-commercial purpose.
                 Huang: Well, first, the threshold of fair use decision is high and commerciality is only
                    one consideration. Even if your use constitute fair use, you should indicate its source,
                    including the names of the original copyright owners. I wonder whether the form of film
                    made it difficult to attribute the composers of these pieces of music.
                 Participant F: Oh, but I did not know where my colleagues found the music. Most of them
                    were fragments without identifiable beginning or the end. Do we still need to pay the
                    composers?
                 Huang: The fair use doctrine in our copyright law confined fair use into a close list of
                    circumstances. Your micro film may not belong to any category in the list. If your use
                    could not be regarded fair use, unauthorized use may be infringing even if you just use
                    some fragments. The criteria for musical work infringement suits are quite strict because
                    the original work itself is not long. It is easy to be determined as infringing.



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