Page 367 - A Study on the Role of UGC Platforms in Copyright Law:An Intermediary-oriented Approach
P. 367

A Study on the Role of UGC Platforms in Copyright Law:                                Bibliography
 An Intermediary-oriented Approach

                 Burt S, ‘The Promise and Potential of Fan Fiction’ (The New Yorker, 23 August 2017)
                    <https://www.newyorker.com/books/page-turner/the-promise-and-potential-of-fan-
                    fiction> accessed 12 June 2019
                 Byford S, ‘TikTok Owner Bytedance is Now the World’s Most Valuable Startup’ (The Verge,
                    26 October 2018) <https://www.theverge.com/2018/10/26/18026250/bytedance-china-
                    tiktok-valuation-highest-toutiao> accessed 19 May 2019
                 Carr N, ‘Digital Sharecropping’ (Rough Type, 19 December 2006) <http://www.roughtype.
                    com/?p=634> accessed 19 May 2019
                 Community Legal Information Center, ‘What are the Basic Requirements for Making A
                    Valid Contract?’ <http://www.hkclic.org/en/topics/businessAndCommerce/setting_up_
                    business_in_Hong_Kong/making_a_business_contract/q1.shtml> accessed 19 May 2019
                 Cooper M, ‘Digital Disintermediation and Copyright in the 21st Century: Lessons from
                    the Transformation of the Music Sector’ (Consumer Federation of America, November
                    2013) <https://consumerfed.org/pdfs/Digital-Disintermediation-and-21st-Century-
                    Copyright.pdf> accessed 18 June 2019
                 Creative Commons, ‘So What is “Commercial Use”?’ <https://www.thehelpful.com/
                    creativecommons/what-is-commercial-use.html> accessed 10 July 2019
                 Dictionary of Net Neutrality, Peer to Peer <http://netneutrality.koumbit.org/en/node/7>
                    accessed 9 April 2010
                 Eblida, ‘Press release of the European Commission on the Signature of the MoU on Out of
                    Commerce Works’ <http://www.eblida.org/activities/position-papers/out-of-commerce-
                    works-frequently-asked-questions.html> accessed 20 July 2019
                 EDRi, ‘UK Format Shifting and Parody Copyright Laws Come into Force’ (8 October 2014)
                    <https://edri.org/uk-format-shifting-and-parody-copyright-laws-come-into-force/>
                    accessed 19 May 2019
                 Electronic Frontier Foundation (EFF), ‘Princeton Scientists Sue Over Squelched Research:
                    Electronic Frontier Foundation Challenges Record Companies (6 June 2001) <https://
                    www.eff.org/press/releases/princeton-scientists-sue-over-squelched-research> accessed 1
                    February 2019
                 –––, ‘RIAA v. The People: Five Years Later’ (30 September 2008) <https://www.eff.org/wp/
                    riaa-v-people-five-years-later> accessed 13 May 2009
                 Elfred R, ‘Oct 28, Resident Signs New Copyright Law’ (Wired, 27 October 2008) <https://
                    www.wired.com/2008/10/oct-28-1998-president-signs-new-copyright-law-2/> accessed
                    19 May 2019)
                 Eichler A, ‘Instagram Terms Of Service Change Sparks Revolt: ‘The Instascam’ Backlash
                    As Told By The Users’ (HuffPost, 12 December 2012) <https://www.huffpost.com/entry/
                    instagram-terms-of-service-change_n_2333284> accessed 20 May 2019
                 Farivar C, ‘“Six Strikes” Program Could Affect Businesses Too, Even if Infringer is
                    Unknown,’ (Ars Technica, 14 January 2013) <https://arstechnica.com/information-
                    technology/2013/01/six-strikes-program-could-affect-businesses-too-even-if-infringer-



                                                                                          • 353 •
   362   363   364   365   366   367   368   369   370   371   372