Page 7 - 古代艺术理论与山水画创作
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目 录 CONTENTS
第一章 认识古代艺术 ········································································· 1
第一节 古代艺术分类 ··································································· 1
第二节 中国古代艺术理论范畴 ······················································· 6
第三节 中国古代艺术思维理论价值及现实意义 ·································12
第四节 中国古代艺术史知识体系建构 ·············································18
第二章 山水画的创作要点 ··································································23
第一节 山水画的着色 ··································································23
第二节 山水画的运笔 ··································································52
第三节 山水画的用墨 ··································································75
第四节 山水画中的题画诗 ····························································98
第五节 山水画的构图与透视 ······················································· 105
第三章 古代山水画点景研究 ····························································· 119
第一节 点景在山水画中的影响及价值 ··········································· 119
第二节 传统山水画中点景的艺术特征 ··········································· 123
第三节 古代山水画点景人物中“高士”形象研究 ···························· 127
第四节 传统山水画点景技术 ······················································· 140
第四章 传统山水画中的古代建筑研究 ················································· 157
第一节 传统绘画中古亭的特点与地理位置 ····································· 157
第二节 中国传统山水画和古代建筑交互发展 ·································· 165
第三节 传统山水画中古代建筑思想形态 ········································ 172
