Page 11 - 艺术视角与教学管理
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目录          CONTENTS











               第一章  艺术设计教学中教育模式的研究 ··············································· 1
                   第一节  学分制教学模式概述 ························································· 1

                   第二节  学分制教学模式的发展 ·····················································19
                   第三节  艺术设计教学模式的演变··················································30

                   第四节  不完全学分制下艺术设计教学模式的研究·····························38
                   第五节  完全学分制下艺术设计教学模式的实践································44

               第二章  中国传统民族文化与艺术的融合教育 ········································47

                   第一节  中国传统民族乡土文化 ·····················································47
                   第二节  艺术教育的现状 ······························································51

                   第三节  传统文化对美术教育的影响···············································56
                   第四节  国际上现代艺术设计教学的借鉴与启示································61

                   第五节  乡土民族文化融入艺术设计教育的构建································65
                   第六节  乡土文化融入艺术教育的策略与未来展望·····························74

               第三章  壮族民族元素在美术教育的应用研究 ········································83
                   第一节  壮族民族元素与包装设计的应用·········································83

                   第二节  壮锦传统文化在美术教育中的应用······································92
                   第三节  壮族绣球工艺在美术教学中的应用···································· 101

               第四章  美术艺术创作在服饰设计中的运用探究 ··································· 117

                   第一节  美术艺术创作与服饰设计的关系······································· 117
                   第二节  服饰设计与美术创作的影响············································· 122
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